ireallylovemusic.co.uk

 

JD on Coke


Part 4

ireallylovemusic’s John Doran laments the loss of John Peel.

The Jesus and Mary Chain ‘Upside Down’ Creation


My parents lived in a semi in the west bound outskirts of Liverpool on the 
lip of St Helens when I was young. The little room I slept in didn’t have 
much in it apart from my books, a Dansette, some records and a little mono 
radio cassette player which I used to tape the charts. I can remember the 
day fairly well when I lost my John Peel virginity. In fact, rather like 
losing my actual virginity, the experience was frightening and unpleasant 
but as soon as it was over I wanted to repeat it again as quickly as humanly 
possible. Now, as a floppy fringed, fey 14 year-old I thought I was too cool 
for school just because I had a copy of the ‘Pretty in Pink’ soundtrack, 
‘Blue Monday’ 12” and ‘Songs To Learn and Sing’. So there was little to 
prepare me for what happened when I left Radio One playing after the Janice 
Long show ended.

I’m not sure if it was the first song that he played; I’m not sure if it was 
the twelfth but when the tsunami of feedback that is ‘Upside Down’ by The 
Jesus and Mary Chain came gushing out of my speaker, my tiny world was, for 
want of a better phrase, turned upside down. I had never heard anything like 
it. I remember thinking ‘Are people actually allowed to make music like 
this? Isn’t there some kind of law preventing them doing this?’ I was 
disgusted. I was appalled. I was in love.

And so a pattern was formed; as soon as I presumed to think that I’d heard 
it all, Peelie would be there to prove otherwise. He would be on hand all 
through my adolescence and twenties to grasp my preconceptions about music 
and violently smash them to shards while plummily laughing and intoning 
“Wow, that’s the stuff!” Along came The Butthole Surfers, Pussy Galore, Dub 
Syndicate, Sonic Youth, World Domination Enterprises, The Pixies, LFO, Aphex 
Twin . . . and on and on it went. During the hot summer of 1989 as we piled 
into a completely un-roadworthy Nissan Sunny, he provided the soundtrack to 
the first pilgrimage to Reading Festival. After ‘Widower Maker’ and ‘Booze, 
Tobacco’ by the Buttholes faded out he wished us a good festival. It was the 
year I left home. It was the year I first fell in love. It was the best year 
of my life. And he played the music all the way through it.

You may think I’m overstating the case if I say I think he changed my life; 
but I don’t. Let me try and explain. I’ve never really got that tongue tied 
on meeting famous people. I haven’t got the energy and pretty much despise 
celebrity anyway. But there was one occasion when I went to see Frank Black 
DJing at the Borderline in north London. Friends kept on nagging me to go 
and say hello to him, knowing that The Pixies are my favourite rock band and 
I’d always regret it if I didn’t. Eventually I acquiesced and walked 
sheepishly over to him. I waited for all of the other wall-eyed, mouth 
breathing, borderline stalkers to finish before making my own psychotic 
lunge at him.

“Ch – Ch – Charles”, I stammered. “It’s lovely to meet you; I’m a massive 
fan. How’s the tour going?”

“Well, you know man, I just get in my car, look at my map and drive on to 
the next venue”, he growled back.

I giggled like a convent girl on prom night and then, overcome with 
completely atypical passionate abandon, lunged at him and hugged him.

I hadn’t quite fully embarrassed myself so I decided to add: “Dude! I saw 
you play when The Pixies were supporting Throwing Muses in 1987 and that gig 
changed my life! It’s because of you I’m a music journalist now.”

I was wrong though. It was because of John Peel. He instilled into me a love 
for challenging and strange music, the shock of the new and the romance of 
hunting out bands that you could truly call your own. Besides, I wouldn’t 
have heard of The Pixies if it wasn’t for him and wouldn’t have got to see 
that apocryphal sounding gig with a handful of other people, a cigarette 
machine, a dog and a bald hippy lying face down in a pool of Special Brew 
vomit. In fact without people like Peel, (and arguably without just him 
alone) the Pixies would never have broken in this country at all. (And by 
extension, they wouldn’t have gone on to garner the world wide reputation 
they have now.) The truth of the matter is that there are plenty of indie 
imprints, bands and journalists who do owe not just a massive debt to him 
but their entire careers.

He was packing his records into the back of his car at All Tomorrow’s 
Parties after another typically eclectic set when I last saw him earlier 
this year. Again, friends egged me on to go and say hello. I refused; my 
logic being: “I can’t. It’s John Fucking Peel.” But I should have said hello 
and I should have said thanks.

For me, Peel was like his favourite band The Fall, something you were 
passionate about for a few years but even later when you weren’t a constant 
listener, he was always there to be returned to. And always with the sense 
of  “Christ, this is brilliant. Why don’t I listen to this all the time?”

He never lost his ability to shock and impress by introducing us to crazed 
and beautiful new forms of sound. After saying for the 318th time in my life 
that I heard it all before and music had been pushed right to its outer 
limits I tuned into Radio One a few years ago to listen to his Meltdown 
Festival. I settled down into my chair with a news paper and a glass of wine 
while I listened to him introduce Merzbow. Within three seconds I had 
dropped my drink on the floor and was contemplating diving under the table 
for cover.

When I heard that he was dead I had a great deal of difficulty in not 
crying. I’d never really been affected by the death of someone that I’d 
never known personally before and never thought I would be. Someone 
commented recently that maybe he kind of reminded you of a much hipper, 
funnier version of your dad, which is possible. But I think it was a mix of 
the fact that he changed my life and, in a very strange way, his death 
represented the last of the bridges to my youth, burning and falling into 
the water for ever.

Anyway, goodbye John and thanks.

John Doran ©

talktodoran@hotmail.com

 

back